My Best Wishes In Arabic

Youth Media treaty: No panic for small bloggers

I have once again auseinandergestzt given current knowledge, with the discussion text of the law and thereby illuminating detail the resulting obligations and Abmahnpotential.

anticipation: The JMStV is a disaster and we can only hope all that he does not yet come, or is rapidly corrected.

For small private blogs the situation but in my opinion not quite looks so black as it is painted right now.

First, the ghost of the warnings: to be suspended in accordance with § 8 UWG a claim, one would have acted in the trade. This is difficult to justify when no advertising fades or else that generates revenue through the site. As small, private parties have eh no significant advertising revenue, if necessary you can do without the few €.

What should I ever do to satisfy the requirements of JMStV?

is § 5 para 1 sentence 1 JMStV:

(1) compromising If provider offers, which are suitable for the development of children or young people or their education in a responsible and socially competent personality, distribute or accessible , do they have responsibility to ensure that children and adolescents of the respective ages, they usually do not perceive.

I have no development-impairing content, then obviously I have to do anything.

The problem is the question, what is entwicklungsbeeinträchtigend. To this end there seems to be no hard evidence. Some information can be found here, however.

Most blogs were not affected as I understand it.

If one can not exclude such contents or so maintains a three-options.

first It restricts the availability and time. For example, from 18 offers access only from 23-6 Clock.

second classify all content according to age, but even when this assessment is quite reliable, can be classified to a charge of recognized authority

third effective age control mechanisms introduced, which is technically difficult and costly without a service provider also will not be possible.

Okay, now I have even checked my offers and I think I need anything labeled. Unfortunately I was wrong, what can happen to me as not conducting business blog private operator?

The KJM could test me and impose a penalty notice. In his research, she is untrstützt of jugenschutz.net. The KJM is composed of 12 people who apparently have other offices. For small blogs are probably not interested. Jugendschutz.net reviewed on its own offers and inform the operator if something is wrong. Then it runs the whole also apply to the KJM. If you click on the notification of jugenschutz.net down his offer just reviewed, I guess this will not happen next. The message appears after all that I have read so far also to cost anything.

If there is indeed a fine, this can be theoretically up to 500,000 €. In the context of proportionality, I can imagine but difficult, that the actual fines imposed on small private blogs exceed a few hundred euros. That surely depends on the circumstances of the case, namely, how much entwicklungsbeeinträchtigend the offer, and perhaps also how large the readership is. There

The fine is, moreover, as an administrative act, I can contest it so. If the review of the authority completely out of hand, the courts this is correct then, that the discretion is exceeded. Given the high rank de press and freedom of expression shall, in light violations is perhaps not too far out on a limb.

Conclusion: I will stay online and wait for further developments. For people who are offered with their employment, but could threaten in fact a warning wave, which is probably the real risk, as any fines.

love politicians are once again reasonable and let the shit!

also very instructive: http://t3n.de/news/neuer-jmstv-286977/2/

collection of links on the topic: http://klawtext.blogspot.com/2010/11/blogger -and-the-jmstv.html

UPDATE: Udo Vetter has now also expressed fully and advises against panic http://bearbeiter.blogspot.com/2010/11/jugensmedienstaatsvertrag-keine-panik . html

Where Is Bi Rain Now?

hearing the Study Commission on "Internet": Between impression

The contents were in the first hour and a half more general. It distinguished itself from possibly a slight tendency to introduce a "fair use" arrangement, while at the same time emphasizes was that, contrary to the European regulations are.

Most questions were probably by reading the report or a current textbook on Copyright - done (eg, Schack> highly recommended and also with political overtones). If politicians do not do their homework, bring the whole circus nothing. Some experts advocate

a reconsideration of the exclusive rights in favor of stronger social bond or stronger societies. The moral rights issues are largely overlooked.

14:40 Now it's about the culture flatrate. My opinion: let the nonsense, more can not curtail the author's rights.

14:42 opening of quasi-monopolistic structures by recycling compulsory licenses? now should also be incorporated into the market regulatory policy Copyright Act? Write something but the GWB or regulates it right at the European level.

The first begin to doze. Actually, they are right. Here comes out with nothing.

The population issues have to do with the law (also) a little, but are more understanding on copyright issues.

The motto could be: experts who do not enter each other may ill-prepared politicians are trying to convey basic principles of copyright. The experiment should be evaluated as a failure. Even if the politicians would keep everything, they were hardly qualified to assess a bill.

I'll give you a preview of the upcoming law: the copyright in their contractual freedom restricted even further in favor of the recycling industry, the legal situation is still unclear and in a few years, complain to all people that consumers of copyright does not know even recognize.

opinion of politicians, we must strengthen the low-income settings and do that by disempowering them, who know not, finally, what is good for them. Misunderstands then again, that before an author can barely live on his royalties ...

Creative work is now something for idealists and romantics. The business to make a rule others.

How Long Do You Have To Wait After Double Red

Discotel: Prepaid is different!

The advantage of a prepaid contract is clear. I can spend on the phone only what is really also to balance it. If that's the case, can I call no more, but still be called.

I thought so far at least. Today I received an email from Discotel:

   "We want to kindly refer to our previous mail. Unfortunately, we could see to this day still can not compensate your account.   

   your credit account is currently -0.36 €. To prevent that your disco plus wireless card is blocked completely, you are always 2 ways to compensate have to make your wireless account ... "
 
   

  how one gets a negative credit at a prepaid card, such as customer-unfriendly must be, in order that to call for the amount under threat of closure still the customer. Have that any of it,   lock when my card? If the card is locked, I can not recharge, so they can not earn money with it. Seems easy for me counterproductive. The first call is referred to, by the way I have also never received.  

  me tomorrow but I really should be credited with another 15 € credit welcome. I'd best hope strong enough to offset that. If this is used up, I still consider myself good times, if I continue to use the card, or anywhere else if I tap the new customer discount.  

  is the number of my prepaid card that is no matter to me because I use it only as a starting point for phone calls. On the second SIM card I have a flat fixed, I also intend to keep. I remain accessible for all, which I have given my number so voluntarily.  

Which Exercises Can I Do With A Large Spleen

more stupid stupid terrorists, politicians, even more stupid people!

I have recently been reported about the increasing paranoia that arises when politicians support terrorists in anticipatory obedience .

When I read of such experiences , I find myself confirmed in the view expressed there already. The offset policy, for whatever reason Whatever (monitoring, raising personal profile, etc.), the population in increasing anxiety, which then also in such idiotic advice from the public, as reflected in the linked post. If one is already displayed for his taste in music, how should this go to?

A prosecution of people who can be heard in public, loud music, of course, a welcome measure, but already hardened somewhat.

The policy is stupid because they are the targets of terrorism drives better than it could ever this alone. The people are stupid because it can make the fear of a danger which, compared to other dangers we expose ourselves daily voluntary, vanishingly small.

stupid but also the terrorists . For years, international terrorism has not changed. More and more young men to rise with explosive belts in buses and trains, or place the good old suitcase bombs (or not). The attacks of 11 September, not because of the many deaths a major event (death in all possible wars and civil wars in a few days more people), but because the nature of the attack was new. After many days of the hostage massacres and bomb attacks showed the threat of a new and terrible face.

is why the terrorist attack on tried and true forms?

Perhaps fanatics of every stripe are simply unimaginative. Many simply too conservative to venture to new. The type of person who can be so blind, is perhaps mentally not very flexible. If this is the explanation will never be a serious terrorist threat if it is not exploited by others (such as indoor politicians) to far more dangerous to justify action.

Perhaps the conspiracy, the secret services responsible for terrorist acts But do not be so far-fetched, would finally so explained why they generated constantly afraid of the actual damages but keeps low in most cases.

The second case was of course the more pleasant, as it would then change to the real threat never much.

Each mediocre talented people should come up with dozens of creative ways to correct a lot of damage, either to create fear. As these ideas anyone can come, I make just a few before.

1. nuclear power plants: a number of German (from foreign times to mention) nuclear power plants would not withstand a plane crash. If even create environmental activists to climb onto the roofs of nuclear power, why should anyone succeed with a backpack full of plastic explosives not? Much damage, too afraid, good long-term effect.
2. groundwater: My chemistry teacher was at times so that he could theoretically contaminate the ground water throughout the region to. The ingredients can be really difficult not to organize and the right stuff to lead into a fresh hole would probably be a fast and effective way, there comes to mind something. Supply shortages, fear turning up the tap ecological damage, loss of quality of life.
3. snipers: We live in a poor country of weapons. With enough criminal energy, I think it is nevertheless quite possible to organize a few weapons. A group of armed men, whose members move independently of each other back and forth across the Republic and kill at night passers-by. Soon, no one dares to the streets. Until the police have caught all the terrorists, weeks passed.
4. kindergartens and schools: How to tinkering a bomb, everyone can look on the web. Anything that makes loud Boom will cobble together any halfway intelligent terrorist unremarkable can. go up unannounced hide in schools and kindergartens and leave. Even if no one gets hurt, parents their children are not sent to school. A part of public life would be virtually to a standstill.
5. part of what you think: The list is endless and the sky is the limit.

Whatever the reason terrorists are not particularly intelligent behavior, we should be grateful. Should change something, we will also have problem with all freedoms almost no security. Who wants to do damage and is willing to risk his own life at risk, the can also create.

Perhaps the scare tactics of the politicians and strategy. As long as we have enough fear, the terrorists need to think up anything new and the damage is largely psychological.

Remote Start For 2010 Hyundai Sante Fe

from a time before animal and species protection: How do I kill my turtle

In the German cuisine has changed a lot since 1924. Many dishes are no longer exists, which may be due also to the fact that the ingredients should Species thanks not so readily available. My "Practical Cook Book" by Davidis / Holle (53rd edition), in its specialty division (p. 290 ff), but a few tidbits to know the taste of white pride themselves in our country a little more.

hardly a lover of turtle says it still has its delights. Here there is even a detailed battle Instructions:

"turtle soup. Medium-sized turtles are preferable to large, because the meat of the latter is usually hard and tough. The turtle is on the morning of the use of the previous day, hung by the hind feet, head, once that stretched out from the shield, taken, and this cut off quickly with a sharp knife, then allowed to hang them 4 hours and bleeding, she puts on A kitchen cutting board, the round belly plate from the upper shield and takes care away from the viscera, so that the bile, which sits well known to the liver, remains intact and can be removed entirely. Liver and heart, as well as to find egg is placed in fresh water, the intestines are cleaned and then in water down where you want it processed sausages, the barbed rectum it brews for cleaning and removal of the spikes in hot water from. After taking out the guts to cut the front legs - called rowing - out with a fairly large lump of flesh from each side, the hind feet contain smaller pieces of meat. The fins are, as far as the exterior goes, cut off and scalded feet and belly plate in boiling water so that the skin will flake deducted. to the turtle completely cook, as is also well done, is not advised because then left behind a lot of slime and odor. ...

is said to have been the alternative method of slaughter, the burning of the belly with a hot iron. The head comes out, ...

Part 2: http://bearbeiter.blogspot.com/2010/12/aus-einer-zeit-vor-tier-und-artenschutz.html

Average Bust Size Country

Milford Tea Eismärchen dangerous?

My girlfriend has just a pack of shopping Milford tea in the flavor "Eismärchen" with him.

found on the package are the following

" Important note:

Per cup per pot at least one or

3 teabags always cook with bubbling-

the water and fill at least let

stand for 5 to 8 minutes! only way

Obtain a safe product, "

the Internet is the relevant notice under the "preparation" can also be found.

For testing purposes, we now have even a small jug with a poured tea bags.

Presumably the reference is to but only ensure that we deal not to careful with the tea, finally, brings more sales.

a bit uncomfortable reading but one can still be.

If come the next day, no more new article was probably referring to what it ...

Free Pirate Toy Box Plans

entitled to damages or Entpixelung

In the first part I have looked into possible Entpixelungsansprüchen against Google.

In this second part I examine the question of whether the owner or owners can demand of each other any compensation.

conceivable in this context, two issues.

first the trade or business tenant sees its competitiveness by the owner caused pixelation limited.

second The owner considers the success of a future rental or a sale jeopardized or impaired.

It may well be said that the publication of the House view by Google, where appropriate, the use of the existing copyright law is. Moreover, could the ownership of the house owner to be affected. § 59 UrhG however, expressly permits such use (to address the opposing view, see my article, but is 2.50 m but not freedom of panorama or?). Google may

the views so without the consent of the owner, lessee or architect for its Street View service use. Google admits, however, both owners and tenants the right one, to ask for pixelation Google, where Google will comply.

Since this is a voluntary (albeit on political pressure), granted, for which there is no legal claim basis, Google can pick and choose who it admits this possibility.

legally may therefore both tenants and owners of Google's offering, a building or a part thereof Pixelize to make use.

A damages claim for one or the other side can thus only arise because, where the law is applied fairly abusive. Here one can think of the limits of the prohibition of harassment § 226 BGB . Thereafter, the exercise of a right inadmissible if it can only have the purpose of causing other damage.

That would be in our case except constellation, such as when the tenant causes until shortly before moving out the pixelation to complicate the owner of the new tenant, or if the owner wants to move the tenant to terminate by disturbed by pixelation of the premises whose visibility, to force him out of business.

would in such cases a deliberate immoral damage gem. § 826 BGB as claims conditions into account. expected to quantify the damage, however, be extremely difficult. The owner can prove difficult, that he is an object because of the pixelation not rent or only later at a lower price could. Something simple, but the causality would be problematic though sales decline of a retail business in the second part to quantify than harm.

If not, the pixelation proven right in an abusive manner, compensation claims between owners and tenants, in my view come to the question.

In a third part, I am soon to the case that a competitor has to deal causing the pixelation.

On the issue of freedom of panorama at 2.50 m height from the recording Street View car, see here.

Can You Get A Shower Straight After Waxing?

But Part 2 is 2.50 m but not freedom of panorama is not it?

In discussions about Google Street View to read more often, the images would violate the copyright, because a photograph is from such a height no longer covered by freedom of panorama.

§ 59 UrhG allows short take pictures of buildings, public places, paths, roads, etc. are. Without this barrier could not take pictures in many places without a license. When the Street View car out 2.50 m height photographed, you have to compare the intent of the legislature according to well with the possibilities of a human photographer. Again, this is expected to reach such a height with outstretched arms.

In this connection, the famous view protection hedge out into the field. However, this has primarily to protect the end, the residents, where appropriate, in their garden from prying eyes. Unless people can be seen on the Street View images, but this is problematic for other reasons, if they are not made unrecognizable. The buildings obstruct the view of privacy protection does not hedge any case, since at least the roof or upper floors can be seen. Copyright it makes no difference whether a city hall or a protected by a transparent protective hedge building is photographed with outstretched arms. The former is undoubtedly covered by the barrier and also happens all the time. Since copyright but only the work (and the connection to the author) to protect themselves, the shoot must be over the hedge by normal means, or means that do not exceed the recoverable by normal means prospects are also allowed.

Anders would assess the situation safe if the camera shots from 3 m in height and would have done more.

Who reliable recording and all curious eyes wants to prevent plants must correspondingly high visibility protection.

self should be photographed by the copyright of 2.50 m or more from irrelevant considerations Watch out injured from 2.50 m from a Street View car as that would not help the vast majority of private homes. To private houses, it goes but in the overwhelming majority of cases. Usually you can find an appropriate privacy protection and only there.

The most normal houses, however, have no work character, since they lack the special creation of height. There are no creative designs, but slight variations of what is just a normal house. It would also failed to provide ordinary houses under copyright protection because of similar houses might otherwise be built only with the cooperation of the same architect, what has any interest other than a few architects.

Further reading:

my series on Google Street View "entitled to damages or Entpixelung"

first Part:

http://bearbeiter.blogspot.com/2010/11/anspruch-auf-entpixelung-oder.html

second Part:

http://bearbeiter.blogspot.com/2010/11/anspruch-auf-entpixelung-oder_24.html

Wher Can You Find Thermasilk Shampoo?

Nomeansno

Nomeansno / The Pack AD

11:11:10

incident, Bochum

In recent years, it's almost tradition become that visit Nomeansno twice Europe and there was after the show in Oberhausen in April, a reunion with the three sprightly Canadians.

Again, she accompanied the also from Canada originally female duo The Pack AD, which made it again with ease, the audience to inspire their mix of Sleater-Kinney-blues and garage rock à la early Hives. The drummer made it right in the first piece, to smash the fur of their snare, so that Nomeansno drummer John Wright as a Drum Tech jumped into the breach and lent her his snare, while he then quickly re-covered her. The audience felt like everything was on, but the tight schedule with a planned concert end by 23 clock unfortunately not the case.

rushed the old men of Nomeansno afterwards with the conversion and shortly after half past nine, as in the air with Old of the new tour EP No. to start first This time they played the EP completely and above all Something Something Dark Against Light with its oriental rhythm for me was a highlight of the evening as well as the magnificent Metronome . With the addition of Victory and Body Bag they made then on the stroke of eleven o'clock closing.

showed in dealing with the public they are in good spirits as always, only the photographer had it a little harder today. One of them was located next to the first song set the stage to get better motives and did not react immediately when bassist Rob Wright asked him briefly, to do so, whereupon he was weggekickt in the truest sense of the word from him. In a brief voice break, guitarist Tom Holliston, said that the band had nothing against photographers and everyone would like to take pictures, but people do not disturb it, the band on stage and in front of her should leave all the space on that. Then, when the band yet again came out to a second addition, one suspect evil, staggered as a visibly drunken fan on the stage, straight to the mike and went all stated that his wife was away, he had no more money and move out now may. But Rob had reacted calmly to grant him, began the last song of the evening and urged him while gently from the stage, where he helped the rest of the audience and then prevented the poor wretch, get back to the podium.

Instead, there was then a grand finale Now in which celebrated the whole incident a rollicking party.

Cost Of Installing Rolladen Shutters

Samiam

Westend 2010 Indoor

w / Alexisonfire / Samiam / The Casting Out / Escapado

FZW 31.10.10, Dortmund

How Aereogramme / The Unwinding Hours in 2003 also had Samiam stood at the birth of the West End Festival in Dortmund on stage and "automatically" re-stressed the gap between then and now.

Escapado in the year had just released their first single. Because Screamo is not my thing so I abused it callously as background music for nice chat with the beer in the foyer.
presented Thereafter, The Casting Out on her farewell tour cheerful and Nathan Gray with rubber ball on the big stage. As early as May in Wiesbaden but they could not convince 100%, as their songs for just not varied enough. Boysetsfire pieces were not played, of course, instead we can, after all, the reunion soon.
Samiam are once again in Europe on tour, but without a new album, but a collection of live recordings and rarities in the luggage. But in an interview with esteemed colleagues from Getaddicted they revealed that a CD is planned. So they offered like on the last tours a section of their hits, especially in the later years and is also visually guitarist Sean his eerily beautiful Porn mustache ever since.
The performance increased towards the end, more than have been played by the cracker Clumsy and You Are Freaking Me Out finally secret hopes and even if based on old favorites like Sky Flying By or Home Sweet Home were not met, it was with Clean finally hear again from what Soar . The band worked very well in the game FZW visited significantly more active than on their last tour in 2007, so my 15th Samiam concert was by far not the worst.
Alexisonfire in their freaky Halloween outfits, I looked at it for 20 minutes, but they are not really my thing, so that after the eighth concert evening in a row and the first working day after a week off before the breast, it preferred to make me prematurely on the way home.

Samiam Setlist: Sunshine

Get It Right
Wisconsin
Super Brava
Mud Hill
Mexico
Dull
Take Care
Stepson
Factory
When We're Together
She Found You
Capsized
Clean
Full On

Thank You Letter To Cousins

Style and Substance: IO SONO L'AMORE

IO SONO L'AMORE / I AM LOVE

(Italy 2009, directed by Luca Guadagnino)

For decades, the post-war Italian cinema has been admired worldwide for its visual opulence. Luchino Visconti's sophisticated facilities, Federico Fellini's exuberant imagination and image Sergio Leone's baroque iconoclasm, have just three examples to name, film history marked; cameramen as Vittorio Storaro, Tonino Delli Colli, Giuseppe Rotunno taught us a new look. The visual power of Italian cinema is partly due to the excellent cameramen and technicians of the Italian film industry, the other in the favor of the image to the soundtrack, which was reflected for instance in the long term preferred procedure, Italian film teams without direct sound. This meant the images - as in the silent film - the whole story.

seems to have forgotten the ailing Italian cinema, the great heritage of its cameramen and directors last few years. Only a few exceptions, are reminiscent of the Cup of past decades, such as the ironic, supercooled films of the Neapolitan Paolo Sorrentino ("Le conseguenze dell'amore"; 2004 and "Il Divo", 2008) or the Sicilian Giuseppe Tornatore ("La sconosciuta" / "The Unknown"; 2006 ). Very few of these films have ever made it into the German cinemas. Since it is especially gratifying to see that Luca Guadagninos masterly "I Am Love" ("Io sono l'amore") at last one of those rare exceptions among us.

"I Am Love" is first of all a melodrama: the History of the Russian Emma (Tilda Swinton) who has married into the dynasty of the fictional Milanese textile Recchis. The Recchis are war profiteers who have made during the period of Italian fascism their property. Now they live in a gilded cage where Emma is also a status symbol like locked. For the Recchis is the maxim of the prince of Visconti (or Giuseppe Tomasi di Lampedusa) "Leopard", that things are changing need, so everything remains as it is. Only this time played by women, because after Emma has learned that her daughter has (Alba Rohrwacher) falls in love with a woman and is undeterred by the social conventions of their way, they can also be located on a passionate affair with the unorthodox chef Antonio (Edoardo Gabbriellini) a. Here it comes for family disaster that offers the opportunity for Emma to start afresh.

Luca Guadagnino positioned his narrative by topic and operatic, melodramatic narrative gesture and references as the cast of veteran Gabriele Visconti Ferzettis in the tradition of great Visconti family studies. But more than that it is the through-composed images with which Guadagnino Visconti's work continues. In both cases, the alleged aestheticism of the pictures are not empty in itself, but integral for understanding the rituals and rigid techniques of domination of the bourgeoisie. The central love story is in this context, the sign of the downfall of a long traditional world.

The director and his cinematographer Yorick Le Saux, who recently Olivier Assayas' escalating terrorist biopic "Carlos - The Jackal" photographed directed, highly artificial Bildtableaux of bewitching beauty one, that only the more obvious brilliance has put on the emptiness of the characters. This staged Guardagnino his film as an educational film for future Cameramen can and from any stylization: very long and very short focal lengths as well as extreme rising and setting tables, visual metaphors and lighting, by Headlight spots single figures accentuated from the ensemble picks out; Matchcut complex sequence shots and outreach crane shots, the film room put into a river, pointed assembly sequences and fast zooms that fragment and degrade him. The inner compartments of exquisite decor in warm tones and the contrast of complementary colors: in an immersed sparkle in the green room light orange wine glasses like emeralds, the redhead Tilda Swinton occurs in the royal blue evening gown. The outdoor shots contrast are dominated by steel-gray town impressions of Milan, San Remo, London, acting through the emphasis on geometric patterns almost abstract. Products of industrialization - endless grid of concrete and steel, screw-down winding stairs, glass doors and screens, high-rise buildings, captured from the camera as crystalline growths of stone - are facing in soffit covered churches and Baroque facades. This creates a world of sharply defined contrasts: old and new, inside and outside, appearance and reality. And in between: a garden of Eden, a summer natural environment, is reflected in the primary to the Swinton Emma perceptions - sight, smell, feel, taste - and about the love rediscovered.

The melodramatic gesture of Guardagninos film may perhaps seem somewhat forced to. But beyond that there is much to see in "I Am Love", and above all, to learn to see again. And that means here - and for a new generation of film viewers - returned to become the masters of the 1960s and 70s: to Vittorio Storaros camera work for Bernardo Bertolucci and Luigi Bazzoni and Armando Nannuzzis and Giuseppe Rotunnos work for Visconti. "I Am Love" is both melodrama and wicked commentary on the Italian bourgeoisie as a sensual experience.

This text was first published on www.filmgazette.de

"I Am Love" ("Io sono l'amore") - Italy 2009 - Director: Luca Guadagnino - writer: Barbara Alberti, Ivan Cotroneo, Luca Guadagnino - Production: Luca Guadagnino, Tilda Swinton, Alessandro Usai, Francesco Melzi D 'Erli, Marco Morabito, Massimo Violante - Camera: Yorick Le Saux - section: Walter Fasano - Music: John Adams - Rental: MFA + Film Distribution - Genre: over 12 years - Cast: Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Alba Rohrwacher, Pippo Delbono, Maria Paiato , Diane Fleri, Waris Ahluwalia, Gabriele Ferzetti, Marisa Berenson and others - theatrical release (D): 10/28/2010 - Length: 120 min.